Chicago Sun-Times | Roger Ebert
The naturalism of Anne Fontaine's film would be at home in a novel by Dreiser. Her star Audrey Tautou, who could make lovability into a career, avoids any effort to make Coco Chanel nice, or soft, or particularly sympathetic. Read the full review
Washington Post | Ann Hornaday
This refreshing alternative to the usual potted biopic provides an absorbing look at a singular, steely determination as it was forged and annealed, long before it made itself known to the world. Read the full review
A superior filmed biography that brings intelligence, restraint and style to what could have been a more standard treatment. Read the full review
Wall Street Journal | Joe Morgenstern
Coco is played by Audrey Tautou, and she's phenomenal--self-contained, tightly focused, sparing with her smiles, miserly with her joy, often guarded to the point of severity, yet giving off a grave radiance at every moment she's in front of the camera. Read the full review
USA Today | Claudia Puig
Not an expansive biopic but a fascinating snapshot of a pivotal chapter for Chanel, her formative fashionista years. Read the full review
San Francisco Chronicle | Mick LaSalle
Coco Chanel is not the most lovable of heroines, but it's a strength of the film that director Anne Fontaine allows Tautou to make Coco as cold and ungiving as she does. Read the full review
Entertainment Weekly | Lisa Schwarzbaum
Tautou is a fascinating, unsmiling, petite presence with a severe brow and an androgynous appeal, so much so that I wish Alessandro Nivola (Junebug) were a more robust beau as Arthur ''Boy'' Capel, the love of Chanel's life. Read the full review
The New York Times | A.O. Scott
The blossoming of her ambition, as much as her love life, drives the story forward, and turns Coco Before Chanel into a costume drama worthy of the name. Read the full review
The Hollywood Reporter | Bernard Besserglik
Spectacle, a love triangle, heritage settings, bravura acting, witty dialogue, a bittersweet finale: There's something for everyone in Anne Fontaine's Coco Before Chanel. Read the full review
Boston Globe | Wesley Morris
I could have watched this woman rip a piece fabric and turn it into a dress all day. I haven’t seen a lot of that. I have seen movies about a woman caught between two men, as Chanel is here. Read the full review
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